Mutual Aid and Chosen Families

Black Panther Free Breakfast Program – Mutual Aid
pastel on paper 19.5 x 29″


Such breakfast programs were duplicated across the country. The Free Breakfast for School Children Program, or the People’s Free Food Program, was a community service program run by the Black Panther Party that focused on providing free breakfast for children before school. The program began in January 1969 at Father Earl A. Neil’s St. Augustine’s Episcopal Church, located in West Oakland, California and spread throughout the nation. This program was an early manifestation of the social mission envisioned by Black Panther Party founders Huey P. Newton and Bobby Seale, along with their founding of the Oakland Community School, which provided high-level education to 150 children from impoverished urban neighborhoods. The breakfasts formed the core of what became known as the party’s Survival Programs. Inspired by contemporary research about the essential role of breakfast for optimal schooling and the belief that alleviating hunger and poverty was necessary for Black liberation, the Panthers cooked and served food to the poor inner city youth of the area. The service created community centers in various cities for children and parents to simultaneously eat and learn more about black liberation and the Black Panther Party’s efforts. (Wikipedia)

For the foreseeable future my drawings will depict Mutual Aid and Chosen Families. Generous support has been given through the Arrowhead Regional Arts Council, Equity grant and the Minnesota State Arts Board, Creative Support for Individual Artists grant. I am very grateful.

Mutual aid is a voluntary, collaborative exchange of resources and services for common benefit that take place with community members working together to overcome social, economic, and political barriers in meeting common needs. This can include physical resources like food, clothing, or medicine, as well as services like breakfast programs or education. 
Resources are shared unconditionally and is not charity. It is an ongoing service where groups often go beyond material or service exchange and are set up as a form of political participation in which people take responsibility for caring for one another and changing political conditions.
Mutual aid groups are distinct in their drive to flatten the hierarchy, searching for collective consensus decision-making across participating people rather than placing leadership within a closed executive team. With this joint decision-making, all participating members are empowered to enact change and take responsibility for the group.

I intend to draw attention to historical and modern day mutual aid/community service and its place in a thriving community.

Chosen Families are nonbiological kinship bonds, whether legally recognized or not, deliberately chosen for the purpose of mutual support and love. Basically, these are the people who understand you, support you, celebrate you, help you, and love you, even without biological ties.

As I continue to explore pastel on paper I intend to tell visual stories where I hope folks will recognize and see themselves thriving in the drawings. These two drawing series are intended to remind us of our history as well as what’s currently going on in our communities, reminding us that despite the racist exclusionary systems which continue to exist – we’re not having it. And, we are not alone.

Individual Artist Equity Grant is made possible in part by the voters of Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.

ARAC and MSAB receive generous funding from the taxpayer’s of Minnesota’s legislative appropriation from the arts and cultural heritage fund

Carolyn Olson is a fiscal year 2025 recipient of a Creative Individuals grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.

Småkakor

Pictured above – Pepparkakor Heart Cookie (Lois Olson recipe), Spritz Wreath Cookie with Green Sugar and Red Hots (Lois Olson recipe), Milk Pistachio Cookie Dipped in White Chocolate (Nic Sharma recipe), Rosette Flower Cookie (Hazel Wallace and Lois Olson recipe), Thumbprint Cookie with Almonds and Currant Jelly (Lois Olson recipe), Cat’s Tongue with Almonds Dipped in Dark Chocolate (Magnus Nilsson recipe), Chocolate Crinkle Cookie (Cook’s Illustrated), Peanut Butter Kisses (Lois Olson recipe), Lingonberry Shortbread (Aunt Olga and Aunt Agnes Swanson recipe)

5″ x 5″, gouache on paper, $150 each framed

Sju Sorta Kakor” or “Seven Kinds of Cookies” is a Swedish Christmas cookies tradition that starts with a shortbread dough made with flour, sugar, butter, egg and vanilla. This simple dough is made into seven different tasting and looking “småkakor” or little cookies. Why seven? The number seven is linked with mythology and luck. During “kafferep” (coffee party) it was said that if you served less than seven then it wasn’t enough, but more than seven it was thought of as showy.

So what’s your favorite holiday cookie?

Three “småkakor” will be a part of the “small works show” at Lizzards Gallery and Framing opening Saturday, November 30th as part of our Small business Social. I’ll be adding new småkakor to web site over the next few months. Defiantly will be more than seven!

Silkscreen prints of Worker series

Just completed a limited edition of silkscreen prints from Worker series. Available now for $150 unframed each. See entire Worker series

The living wage is the hourly rate that an individual in a household must earn to support themselves and/or their family, working full-time, or 2080 hours per year. A living wage includes pays for basic needs including food, clothing, child care, medical, housing/utilities, transportation, insurances, internet & mobile, and taxes.

A recent study found that 44% of American workers (ages 18-64) make an hourly median wage of $10.22 ($24,000 annually) working full time jobs year round according to Just Economics, Asheville, NC

Studies show minimum wages in 2024 should be $22.45/hour with a commitment to increasing workers’ pay rate annually by 3% plus which is the annual rate of inflation according to the Brookings Institute and MIT studies.

Vote for leaders that believe our workers should be treated fairly and paid for their work. Support strong unions. Invest in our collective future where workers are enabled to engage in their community and support their families by being paid a living wage.

Letterpress prints – Worker series

Cashier Customer Service Worker
3-color letterpress on paper 10″ x 7.5″
Public School Music Teacher
3-color letterpress on paper 10″ x 7.3″

Experimenting with creating prints this summer. Warrior Printress (Duluth, MN) collaborated with me in creating two images from the Worker series. Beautiful work!

Available through
Lizzards Gallery, 11 West Superior Street Duluth, MN 55802
218-722-5815 manager@lizzards.com

Individual Artist Project Grant is made possible in part by the voters of Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.

May Day Celebration to Show Essential Worker Portraits and Worker Series

4th annual May Day labor rally April 27 at Duluth’s Labor Temple: History & Art

Recent years have seen a groundswell of labor activism and advances in the Twin Ports region, Minnesota, and beyond. Tapping the riches of labor history, engaging in creative expression to touch hearts and minds through the everyday realities of working people, and building broad empowered coalitions have all contributed to the recent advances in organized labor.

This year’s rally, with the theme of “Unearthing our History and Forging Our Future,” has endorsements from approximately 20 regional and statewide labor organizations, double last year’s support. Noted labor historian Peter Rachleff, an emeritus professor at Macalester College, will provide the keynote address.

Rachleff will tap his Duluth experiences and research to talk about past critical regional coalition building efforts that offer models, inspiration, and wisdom for forging labor’s future.

Rachleff was deeply involved in the mid-1980s Hormel strike and the mid-2000s Northwest Airlines mechanics strike, writing a book about the first struggle. An engaging storyteller, Rachleff has also researched how marginalized and oppressed groups have participated in and led the way in the labor movement. With his partner, Beth Cleary, Rachleff co-founded the East Side Freedom Library in St. Paul in 2013, which is a treasure trove of Minnesota labor history. You can learn more about this project at https://eastsidefreedomlibrary.org.

A new aspect of the rally this year will be a slide show art exhibit by Carolyn Olson, a narrative artist living in Duluth. Olson’s work will be projected throughout the gathering, focusing on essential workers and full-time workers who do not make a living wage. Many of these workplace realities have fed and are feeding into the recent groundswell of labor activism. In the midst of music, food, and rousing speeches, Olson’s art will graphically illustrate how struggle and dignity intertwine through labor, solidarity, and community building.

A retired K-12 art teacher, Olson’s style of gestural line, bold color, and full compositions reflect on our everyday life stories. Olson’s series of narrative portraits of essential workers during the COVID pandemic was inspired by family members. Olson visually retells the stories of essential workers who were asked to work unvaccinated, with low wages, a lack of affordable housing, and not being able to afford needed health care. Olson’s work can be seen at Lizzard’s Art Gallery in Duluth and online at https://carolynolson.net